Brutalism, a movement that flourished between the 1950s and 1970s, has examples all over the world. It was based on the use of large exposed concrete structures that arouse love and hate in equal measure. Although many people feel and understand the essence of the Brutalist movement, others attribute a negative connotation to it, even […]
6th Anniversary of EXPRESSAN. New season!
In this first blog post after the summer I want you to blow out the candles with me. We are celebrating the sixth birthday at EXPRESSAN! Every September the platform celebrates its birthday at the same time as we open the season. This is the moment when, in a way, I also take the opportunity […]
ART POOLS III. 10 Projects with the swimming pool as a protagonist
EXPRESSANPool21 ART SWIMMING POOLS III. 10 PROJECTS WITH THE SWIMMING POOL AS THE MAIN PROTAGONIST Last June we opened the call for entries for the third edition of Arte Piscinas. Perhaps motivated by one of the principles of EXPRESSAN, the non-frontiers between disciplines, one of the objectives of this edition was to reach a greater […]
Cemento y Barro Zacatecas in La Ciudad Me Habita. Laura Romero
The Post Guest section reaches number 10, encompassing a selection of different creative processes and artistic projects that address the particular and the vital. Although all artistic production conveys the artist’s vision of what he wants to talk about, when this is related to Architecture, what is projected is a way of relating to Architecture […]
What is the place of the digital audience in an exhibition?
In times like these, in which we can only dream of a visit to the Louvre or of touring the new exhibitions on social networks, little is said about all those artistic expressions that use interaction with the public as part of their creation. Museums, cultural spaces and galleries are in a phase of transformation, […]