Interview Marina Rodrigues Marina Rodrigues (São Paulo, 1988) is an artist who examines the urban landscape from a geometric perspective. Her pieces are known for combining different materials in an aesthetic way, always seeking visual balance. In Monographic IV she has participated with the piece “Fabrica Tangerina”, where construction and deconstruction come together to materialise […]
Interview Ines Schaikowski. Monographic IV
Interview Inés Schaikowski Ines Schaikowski (Brandenburg, 1981) participated in Monographic IV with her latest project Hybride Heimat. An investigation of socio-cultural, natural and urban spaces as places in which she questions their characteristics and functioning. What better way to understand how she develops her artistic practice than to have her explain it to us herself? […]
Interview Marlies Hoevers. Monographic IV
Interview Marlies Hoevers Marlies Hoevers (Netherlands, 1979), an artist who participated in Monographic IV with the piece “QUIETUDE, nº 8”, combines her work as an artist with interior decoration, hence her strong fascination with materials and the emotional effects they have on people. In his latest works he begins to experiment with concrete and textile, […]
MONOGRAPHIC IV. 12 ARTISTIC PIECES MADE IN CEMENT / CONCRETE
EXPRESSAN HORMIGÓN MONOGRAPHIC IV. Compilation of 12 Artistic Pieces in cement/concrete After the great reception of MONOGRAPHIC III comes the fourth edition, joining the commitment to continue innovating and improving in each Arte Hormigón compilation. In this MONOGRAPHIC IV we have selected 12 international artistic projects that will take us through different conceptions of what […]
Brutalism, the concrete of memory. Open call Monographic IV.
Brutalism, a movement that flourished between the 1950s and 1970s, has examples all over the world. It was based on the use of large exposed concrete structures that arouse love and hate in equal measure. Although many people feel and understand the essence of the Brutalist movement, others attribute a negative connotation to it, even […]